We’re currently featuring on Ormerland as part of promoting our fully illustrated ballad adaptation of Victor Hugo’s ‘The Toilers of the Sea’. Click here to see the article.
If you’d like to pre-order a copy, please drop me an email to email@example.com – copies are £15 each in hardback – but trust me, they look really good (thanks to James, our designer!). I’m happy to accept a Paypal transfer or a cheque; if postage is required too, I’ll price and arrange that on a case-by-case basis.
If you’d rather wait, copies will be on sale as part of Arts Sunday on 9th June in St Peter Port and stocked in The Press Shop and other major outlets around Town from then on.
The Cheshire Cat’s smile reappears
In our kitchen one afternoon.
Close by, a key pirouettes in
A lock inside your little room.
In the dark sits a potion. ‘Drink Me’
it reads, and you do, then grow
From a thought to fingers and thumbs
The weeks playing cards rifling row
By row towards the looking glass
In which we merge and you emerge.
The door now gives to touch, a nudge
Enough to set in motion your surge
To the surface. Through the moist soil
Your head pops from the rabbit hole,
And in an instant your eyes strike
A match to the sun and to our souls.
Our new book, ‘The Soul of the Sea’, in shops June 9th 2013. The images were originally part of an exhibition held at The Gallery, Mansell Street, Guernsey in October 2008. They are painted on a large scale and my aim was to evoke the romanticism of Hugo’s story as well as the lyricism of my husband’s poetry. I wanted to develop the flow and immediacy of my earlier Lamia series in colour and to do this I had to take risks with the paint allowing it to take shape on its own terms. I love the life force and expressive potential of watercolour and ink. My work now sits somewhere between illustration and pure painting. At times on my Fine Art degree course illustration was a bit of a dirty word; something that tutors warned us to stir clear of in our discipline; however, it was something I was always drawn to. I am greatly inspired by the dark brooding works in ink of Victor Hugo himself and used shapes and imagery echoed from his work in these paintings.